Canton Public Library's CONNECT YOUR SUMMER reading program kicks of this month. Any of these selections could earn the YOU CHOOSE badge.

"Both dispatch and dissertation, NPR contributor Diane Roberts, an English professor at Florida State University, gives a insider's account of a big time college football program in the midst of controversy, while examining the impact and legacy of the sport's popularity in America today"--.

"This intimate portrait by his former personal assistant and confidante reveals the man behind the legendary filmmaker--for the first time. Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999. Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life. "--.

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"What should be a cozy and fun-filled weekend deep in the English countryside takes a sinister turn in Ruth Ware's suspenseful, compulsive, and darkly twisted psychological thriller. Leonora, known to some as Lee and others as Nora, is a reclusive crime writer, unwilling to leave her "nest" of an apartment unless it is absolutely necessary. When a friend she hasn't seen or spoken to in years unexpectedly invites Nora (Lee?) to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. Wondering not "what happened?" but "what have I done?", Nora (Lee?) tries to piece together the events of the past weekend. Working to uncover secrets, reveal motives, and find answers, Nora (Lee?) must revisit parts of herself that she would much rather leave buried where they belong: in the past. In the tradition of Paula Hawkins's instant New York Times bestseller The Girl On the Train and S. J. Watson's riveting national sensation Before I Go To Sleep, this gripping literary debut from UK novelist Ruth Ware will leave you on the edge of your seat through the very last page"--.

Murder Will Out February 2013

The burning edge by Rick Mofina

Mystery Writers of America presents vengeance by edited by Lee Child

The darkening field by William Ryan

Ghoul interrupted by Victoria Laurie

Murder Will Out November 2012

Have you missed these recent additions to some of your favorite series?

A whispering of spies
by Rosemary Rowe

Dead man's tunnel by Sheldon Russell

Driven by James Sallis

Father unknown by Fay Sampson

Counterfeit road: a Ben Raveneau thriller by Kirk Russel

Opening September 16

James Sallis' 2005 neo-noir novel, Drive is coming to a theater near you this September. A stunt driver for movies, Driver finds more excitement as a wheelman during robberies, but when a heist goes sour, a contract is put on his head, and Driver's survival skills go into high gear.

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