November 21, 2020 | kasarak
History is being made every day--for better and for worse. To take a look back in time, check out some of the new books gracing the library's history shelves.
Charismatic, brilliant, and courageous, Eldridge Cleaver built a base of power and influence that struck fear deep in the heart of White America. It was therefore shocking to many left-wing radicals when Cleaver turned his back on Black revolution, the Nation of Islam, and communism in 1975.
How can we make sense of Cleaver's precipitous decline from a position as one of America's most vibrant Black writers and activists? And how do his contradictory identities as criminal, party leader, international diplomat, Christian conservative, and Republican politician reveal that he was more than just a traitor to the advancement of civil rights?
Author Justin Gifford obtained exclusive access to declassified files from the French police, the American embassy, and the FBI, as well as Kathleen Cleaver's archive, to answer these questions about a man far more compelling and complex than anyone has given him credit for.
Here is the many-faceted, world-historically significant story of Britain at war. In looking closely at the military and political dimensions of the conflict's first crucial years, Alan Allport tackles questions such as: Could the war have been avoided? Could it have been lost? Were the strategic decisions the rights ones? How well did the British organize and fight? How well did the British live up to their own values? What difference did the war make in the end to the fate of the nation?
In answering these and other essential questions he focuses on the human contingencies of the war, weighing directly at the roles of individuals and the outcomes determined by luck or chance. Moreover, he looks intimately at the changes in wartime British society and culture. Britain at Bay draws on a large cast of characters--from the leading statesmen and military commanders who made the decisions, to the ordinary men, women, and children who carried them out and lived through their consequences--in a comprehensible and compelling single history of forty-six million people. For better or worse, much of Britain today is ultimately the product of the experiences of 1938-1941.
In Gilded Age America, people and animals lived cheek-by-jowl in environments that were dirty and dangerous to man and beast alike. The industrial city brought suffering, but it also inspired a compassion for animals that fueled a controversial anti-cruelty movement. From the center of these debates, Henry Bergh launched a shocking campaign to grant rights to animals.
A Traitor to His Species is revelatory social history, awash with colorful characters. Cheered on by thousands of men and women who joined his cause, Bergh fought with robber barons, Five Points gangs, and legendary impresario P.T. Barnum, as they pushed for new laws to protect trolley horses, livestock, stray dogs, and other animals.
Raucous and entertaining, A Traitor to His Species tells the story of a remarkable man who gave voice to the voiceless and shaped our modern relationship with animals.
When the Revolutionary War ended in victory, there remained a stupendous problem: establishing a workable democratic government in the vast, newly independent country. Three key founding fathers played significant roles: John Adams, the brilliant, dour New Englander; Thomas Jefferson, the aristocratic Southern renaissance man; and Alexander Hamilton, an immigrant from the Caribbean island of Nevis. In this riveting narrative, best-selling author Winston Groom illuminates these men as the patriots fundamentally responsible for the ideas that shaped the emerging United States. Their lives could not have been more different, and their relationships with each other were often rife with animosity. And yet they led the charge--two of them creating and signing the Declaration of Independence, and the third establishing a national treasury and the earliest delineation of a Republican party. The time in which they lived was fraught with danger, and their achievements were strained by vast antagonisms that recall the intense political polarization of today. But through it all, they managed to shoulder the heavy mantle of creating the United States of America, putting aside their differences to make a great country. Drawing on extensive correspondence, Groom shares the remarkable story of the beginnings of our great nation.
Paper Bullets is the first book to tell the history of an audacious anti-Nazi campaign undertaken by an unlikely pair: two French women, Lucy Schwob and Suzanne Malherbe, who drew on their skills as Parisian avant-garde artists to write and distribute "paper bullets"--wicked insults against Hitler, calls to rebel, and subversive fictional dialogues designed to demoralize Nazi troops occupying their adopted home on the British Channel Island of Jersey. Devising their own PSYOPS campaign, they slipped their notes into soldier's pockets or tucked them inside newsstand magazines.
Hunted by the secret field police, Lucy and Suzanne were finally betrayed in 1944, when the Germans imprisoned them, and tried them in a court martial, sentencing them to death for their actions. Ultimately they survived, but even in jail, they continued to fight the Nazis by reaching out to other prisoners and spreading a message of hope.
Better remembered today by their artist names, Claude Cahun and Marcel Moore, the couple's actions were even more courageous because of who they were: lesbian partners known for cross-dressing and creating the kind of gender-bending work that the Nazis would come to call "degenerate art." In addition, Lucy was half Jewish, and they had communist affiliations in Paris, where they attended political rallies with Surrealists and socialized with artists like Gertrude Stein.
Paper Bullets is a compelling World War II story that has not been told before, about the galvanizing power of art, and of resistance.
In 1864, during the bloodiest days of the Civil War, two newspapers published a call, allegedly authored by President Lincoln, for the immediate conscription of 400,000 more Union soldiers. New York streets erupted in pandemonium. Wall Street markets went wild.
When Lincoln sent troops to seize the newspaper presses and arrest the editors, it became clear: The proclamation was a lie. Who put out this fake news? Was it a Confederate spy hoping to incite another draft riot? A political enemy out to ruin the president in an election year? Or was there some truth to the proclamation--far more truth than anyone suspected?
Unpacking this overlooked historical mystery for the first time, journalist Elizabeth Mitchell takes readers on a dramatic journey from newspaper offices filled with heroes and charlatans to the haunted White House confinement of Mary Todd Lincoln, from the packed pews of the celebrated preacher Reverend Henry Ward Beecher's Plymouth Church to the War Department offices in the nation's capital and a Grand Jury trial.
In Lincoln's Lie, Mitchell brings to life the remarkable story of the manipulators of the news and why they decided to play such a dangerous game during a critical period of American history. Her account of Lincoln's troubled relationship to the press and its role in the Civil War is one that speaks powerfully to our current political crises: fake news, profiteering, Constitutional conflict, and a president at war with the press.
Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story.
The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now.
The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.